Showing posts with label tourist trap. Show all posts
Showing posts with label tourist trap. Show all posts

Sunday, August 30, 2009

hoping to take you away...

Lately I've been flicking through a book called "The Beatles' London". It actually gives more information than anyone could humanly want about every location in the capital where the Fab Four played, recorded, were interviewed, stayed, lived, worked, went out to eat or listen to music...

In an attempt to come to terms with the subject, I went along this morning to London Walks' "Magical Mystery Tour" which, as I was hoping, presents some of this information in a more digestible form, taking in as it does a handful of the major venues in a leisurely two-hour stroll. I've done these walks before and always find them good value at £7 a pop. I do tend to find myself heavily outnumbered by foreign tourists though.

Almost all of the stories which the guide told were ones I'd heard before but it was nice to be reminded of them. I hadn't realised though that I'd walked past Trident Studios many times without knowing it and that it was here that not only the Beatles laid down tracks like "Hey Jude", "Dear Prudence" and "Martha My Dear", but also that many early Bowie and Elton John singles and "Walk on the Wild Side" (amongst others) were all recorded.

Nor did I realise exactly where that 1969 roof-top performance happened. In June 1968, the Beatles commandeered number 3 Savile Row as Apple headquarters and it became a social centre for friends, fans and fellow celebrities as much as a set of offices for serious business matters. Frequently riotous goings-on over the following four years--chronicled in a book by "house hippy" Richard DiLello--did little to endear the band to their straight-laced pin-striped-suited neighbours and they reached a head on 30th January 1969 when the band spontaneously decided to go up to the roof to play songs from what became their Let It Be album (see below). The local constabulary--still stationed less than 500 yards up the street--pulled the plug twenty minutes into the show.

No tour of London Beatles locations would be complete etc etc... and, sure enough, to end the tour we hopped on the Jubilee Line to the Abbey Road studios. The Beatles made the vast majority of their recordings here so there's no doubt that this is the location which had the greatest influence on the band's music. There's not much to see from the outside though, apart from a wall where fans are encouraged to scrawl ill-conceived tributes, a blue plaque reminding everyone that one Edward Elgar was laying down some wicked tracks at Abbey Road a cool thirty-three years before the Beatles jumped on the bandwagon...oh and there's "that" zebra crossing.

Wednesday, April 01, 2009

follow the yellow umbrella

Join me if you will for a whistle-stop tour of some groovy old music venues.

(Er, they're in New York, in case you were wondering...)

Day 1: Midtown Manhattan, Broadway, Fifth Avenue, etc etc

Radio City Music Hall

Perversely, like many of the skyscrapers in Manhattan, the Radio City Music Hall sprung up in the Depression Era and opened in 1932. Home to musicals, films, and in latter years, the Grammy and Tony Awards, the lavish annual Christmas spectacular, which has run throughout its history, is a Nativity re-enactment using real animals: sheep, donkeys, even camels. For the duration of the show's run, they're housed in special living quarters behind the stage and can apparently be spotted being given a Christmas Day constitutional around Midtown Manhattan. The theatre has a spectacular Art Deco interior and its "Mighty Wurlitzer" pipe organ is the largest pipe organ built for a movie theatre.





Day 2: Greenwich Village,
a.k.a. "The Village" (1960s vintage),
now West Village.

Cafe Wha?

One of a number of establishments now on the tourist trail by virtue of having hosted early performances by one Robert Zimmerman. The establishment's own website lists Dylan as only one in a string of famous names who've popped in over the years--"Allen Ginsberg regularly sipped his cocktails here. The Café Wha? was the original stomping ground for prodigies Bob Dylan and Jimi Hendrix. Bruce Springsteen, Peter, Paul & Mary, Kool and the Gang, as well as comedians, Richard Pryor and Bill Cosby..."--but a character called David Barry (??) has some interesting reminiscences.


Day 3: Walking tour of Harlem.


Originally opened in 1915, in 1934 the Apollo was given over exclusively to Afro-American performers as an opportunity to appear in the weekly "amateur nights" and, if well received, tour the U.S., make a name for themselves nationally, then return to the Apollo as a headlining act in their own right. Ella Fitzgerald was one of the earliest artists to do this, ditto Bessie Smith in 1935, and in 1959 James Brown, who later used the venue for his famous 1963 live album. So close was Brown's relationship with the theatre that when he died in 2006 he lay in state there, typically, "in a blue suit, white gloves and silver shoes." Harlemites queued up round the block to pay their last respects.




and finally, also in Harlem...

Minton's Playhouse

Founded in 1938 and frequented by early jazzers Louis Armstrong, Fats Waller and Earl Hines, it later played a huge part in the development of bebop. Dizzy Gillespie was a main mover, as was Thelonious Monk and, of course, Charlie Parker.


This is what they came up with...


Tuesday, March 31, 2009

subway sect

Few stones left unturned on the New York tourist trail at the weekend, but I didn't in the end get to go to any gigs during my visit. I did, though, hear a great soul voice at one of the 14th Street subway stations on Saturday afternoon. It turned out to be a member of a band called Acapella Soul, singing and playing a keyboard.

I know the name because I was one of the six or seven onlookers during the five or so minutes between trains who stumped up $10 for one of his (their) CDs. For me, buying an album on the strength of a single hearing is invariably a let-down (spontaneity and atmosphere of live performance lost etc etc), but I've just got home with this one and it's actually quite good.

They're obviously regulars around the Manhattan subway network--they pop up a few times on YouTube, often shamelessly breaking off mid-song (as here) to flog a few CDs...